川貝母
「鼠」讓我聯想到牠們挖掘的洞穴，是一個保護自我與家人的居所。整個造型設計便是以「洞穴」來發想：各種形狀、種族、性別的老鼠齊聚一起，象徵著接納彼此、尊重每個個體的不一樣。洞穴本身的外型也是一個巨大的老鼠，是一種隱喻性 – 精神上的守護者。
HUYU
春天，是萬物甦醒的季節。小鼠隨著花朵綻放，拉開因冬眠而卷曲的身軀，逐漸睜開雙眼。
一半的身體延著樹木生長，傳遞欣欣向榮的意象；手中捧著的月亮，代表著月圓人團圓；頭上的牡丹，則象徵著富貴吉祥之意。
以台灣常見的喜慶顏色為基底的配色；白色轉換一般對老鼠的灰髒形象外，也強化了新的一年從『白紙』開始的純淨與重生。
在實踐永續計劃的同時，創造和改變增添了藏品的身價，並使其祝福蘊涵永久傳承，讓「Inverted Spring 春到帖」獨特的金屬質感，為暖化世代，注入一帖想真心久藏的清涼，也讓蘊藏文化價值的春帖，綻放個人生活的品味藝術。
As part of our commitment to sustainability, we aim to add value through creation and transformation, allowing the blessings carried by this piece to be passed on through generations. The distinctive metallic quality of Inverted Spring offers a refreshing presence in a warming world, preserving a sentiment worth keeping and reflecting one’s personal aesthetic and way of living.
AD ︳Si-Wei Lai
D ︳Maybe Chang
Artist ︳Inca Pan / HUYU
Packaging ︳Min-Shin Tsai
包裝結構設計 Packaging Structure
視覺設計 Graphic Design
SOLD OUT
2020
2020 庚子年「春到帖」
Sustainable Project
Inverted Spring 2020
選用塑造性極高且具耐耗性的金屬材質製作，突破一貫的紙張型態，跳脫既有的想像框架，並與台灣藝術創作者川貝母以及HUYU攜手聯名，以金屬獨有的特性，隨著不同光影場域，變化出豐富的光彩肌理，彰顯出創作者畫面中傳達的故事；外盒兼具美學收藏與分享的實用規劃，獨創收納到展示的一體設計，讓春帖不因時間而封存了美好的寓意。
Inverted Spring is crafted from highly formable and durable metal, breaking away from the traditional format of paper spring couplets. Created in collaboration with Taiwanese artists Chuan Bei Mu and HUYU, the piece reflects shifting light and shadow, revealing textures that echo the stories within the artwork. Its outer box integrates storage and presentation into a single thoughtful structure—ensuring that the blessings of spring are not sealed away with time.
